Nicholas Aloisio-Shearer

CV

Instagram

[email protected]

Big Game Hunting, Nicholas Aloisio-Shearer and Finn Marchant, Bus Projects, 2017

cdr_highdragon_ancient_all_d, 2017, 3D printed PLA plastic, virtual chrome paint

cdr_highdragon_ancient_all_d, 2017, 3D printed PLA plastic, virtual chrome paint

c_dps_phoenix_d, 2017, inkjet print, 100 x 100 cm

Wind’s Howling, 2017, tumbled granite pieces, granite landscape speakers, videotrigger software, webcam

Big Game Hunting examines the disjuncture between the material and the digital and how this separation has engendered an anxiety of the digital. Through the deconstruction and materialisation of fantasy role-playing video games Big Game Hunting interrogates how video games might shape and reflect human emotion, affect and desire.

2024

Image, Interrupted

 

2023

Fearless Simpleton

Open World

Stresstest

Do Not Research 2022-23

 

2022

Reject Modernity, Embrace Tradition II: I Have Been In This Place Before

SUPERCUT

Aeon Resurrection

 

2021

Reject Modernity, Embrace Tradition

Which Way?

Flight Into the Unknown

 

2020

Digital (C)ode

A Tale of Curses, Tyranny and Sorrow

 

2019

Another Nightmare

Fragile Fantasy

 

2018

Ruins

 

2017

Big Game Hunting

SADNESS

Elegant Degradation

 

2016

~

 

2015

My Feet Would Hurt If They Still Existed

 

2014

Enduring Parallels

Life Is Hard